Manaban said:I liked it, but I also find thematic stances it takes reprehensible for being pretty overtly authoritarian and jingoist, i.e. the protestors that consumed the first half and the Chinese that consumed the second half, respectively. I find those elements easier to ignore whenever I don't see other people who enjoy the series propping it up for bullshit like telling it how it really is, though, a la OreGairu and Shield Hero. Thankfully, Mahouka never had that with its fans so I don't mind it so much. Still present in the series, don't get me wrong, but since it ostensibly failed at manipulating its audience towards those stances, they're easier to view in a vacuum of just events happening within a series rather than something I feel more pressed to view with a sociopolitical lens.
Less important to why I don't find a series that's so overtly pro-authoritarian and kind of fascist objectionable to the point where I have to throw it down and hate it is that this one does actually contain elements I find really easy to enjoy. The worldbuilding and especially the magic systems are incredibly intricate and detailed, and while these things are explained in poorly inserted bits of exposition more often than not - both in source and in the anime - I still find that really enjoyable to hear about. I'm the type of person who reads tabletop rulebooks for fun. Shit like this is my jam, and I honestly believe that Mahouka is the best LN series out there for this sort of thing, period. Like, number 1.
Tatsuya is also kind of turns inwards on himself and becomes really fun to watch on account of coming across as the logical extreme of the super OP protagonist; normally he'd be insufferable in some way, shape, or form, but Mahouka doesn't do it with some self-aware parody gimmick to make its audience feel safe with it. It tries playing the sheer absurdity of his power completely straight, even though it's often just difficult to process how incredibly weightless and stupid every fight involving him feels. It's like nothing I've ever seen before in that regard, and while it ends up being very so bad it's good, it's still something I had fun with. Magic Gun Batman's sheer OP-ness can be kind of unintentionally comical.
Anybody who tries to compare any other OP MC to Onii-sama has no clue how inferior they truly are to this all-knowing, omnipotent being.
I also just adore Miyuki, really. I like incest stories. It's a niche I like quite a bit, and Miyuki and Tatsuya had a fun dynamic. I think they're like, third to Yosuga no Sora and OreImo with the whole sister fister bit. I didn't find many of the side characters memorable, but I remember finding them fun enough as I was watching it, albeit Miyuki and Tatsuya were my main takeaways there. Saori Hayami does an excellent job voicing her and she's just fucking adorable.
Lastly, I found it really aesthetically pleasing. Like, Iunno, the school outfits - especially the ones for the girls - look very cool to me with their mint green color, and the whole sort of little flair details it had to visualize magic was something I appreciated about it. It gives the action scenes a much needed injection of life on account of how totally weightless they are, thanks to Tatsuya being how he is.
So yeah, I liked it a lot. It'd never be anything more than a cautious recommendation if push came to shove, given how weirdly specific a lot of the things that made it work for me feel, but I still say it worked for me. I would very much encourage critical examination of its themes instead of taking them at face value, though. It's still difficult to totally ignore how morally fucked I find it, and I don't think I could sit there and say it has my approval without an asterisk denoting that.