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Jan 7, 2008
Story:
Since Neon Genesis Evangelion has become standard affair for any anime fan looking to get into serious anime, I don't have to explain the story. But, it is necessary to point out the improvement of this conclusion in comparison to the series. Episode 24 ended epically and I'm sure that all the viewers expected no less from the last two episodes, but most were disappointed with the result. What the viewers were treated with was an in depth character analysis laced with reused images and even dialogue. While I actually enjoyed this interpretation of actions and emotions (I felt it fit with the direction the
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series was moving in toward the end) many were outraged (especially since the main reason for it was because Gainax used up all the funds for the show). After squandering enough funds, the original creator, Hideaki Anno, decided to create a true ending to his ode to otakus. Thus, End of Evangelion was created.
Alright, now that the back story is taken care of, I can move onto the actual story. EoE is epic in its own right. It begins with a full force invasion, an awesome fight between Asuka (one of my favorite anime fight scene), and the termination of almost everyone. Then it cools down for another depressing character analysis of Shinji, some weird live action moments, and screaming (yes screaming). When it is finally resolved you will either be completely confused or blown out of your seat (most likely both). So all in all, it is a great conclusion to a revolutionary series. If anything, it will make you think, which is always a good thing.
Art:
The artwork and animation were amazing when it first came out and it still are. I can't believe that this movie came out in 1997. It's little over ten years old and it still compares to a lot of shows that are coming out this new year. This would be a sure ten if it wasn't for the awkward live action scenes. I understand that they were mostly scenes from a live action sequence in which it shows a future NGE world that did not have Shinji, but just because the effort was put in to make does not mean that it should of been featured. It came off as lazy to me.
Sound:
The music is spectacular. From the originals to the classical songs, the music really complemented each scene. The piano version of Jesus Bleibet Meine Freude (I'm not sure if that is correct in any way) by Bach is beautiful and also perfectly fitting. In fact I am listening to it right now to get in the mood for this review. Shiro Sagisu really hit it with this soundtrack (everyone should check it out even if you do not plan on watching the movie).
Character:
Everyone is back from the series in one form or another (well mostly everyone) and they all act as expected of them. Shinji is as angsty as ever at one point choosing to sit and die, forcing Misato to drag him out of harms way (while Misato is bad ass in this movie). To really go into depth on the characters I am afraid that I would have to give away too many spoilers so if you really need to know how they are, refer to the first sentence of this section (and you should know the characters by now because you have seen the series, right? and if you have not then DO NOT WATCH THIS MOVIE!).
Enjoyment:
Now this is the hardest section to judge because it is completely based on one's opinion (which usually defeats the purpose of most reviews because you want to judge the product on quality alone and not personal feelings, but I guess all judgments are relative to the reviewer). I thoroughly enjoyed most of the movie and there should be an emphasis on MOST. No matter how much I liked a lot of the parts, I could not ignore all of the awkward moments laced throughout the movie (hospital scene anyone) and the live action scenes just got on my nerves.
So, in the end you should watch this movie if you are a fan of the show. You will appreciate the fact that it is a conclusion, but it also brings up some questions of its own which might annoy some. It is visually stunning for any time period but is absolutely outstanding for being ten years old. The soundtrack is a great listen, featured with both new and classic music. It holds true to the series and it should not disappoint.
Reviewer’s Rating: 9
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Jan 7, 2008
Here it is, the true story of what started it all. Haruhism has taken the anime world by storm and it is all because of this light novel series. But, how did such a marvelous movement branch from this you ask? To tell you the truth, that is what I would like to know.
Now I know my statement above would lead any person to believe that I am disappointed with the origins of Haruhi, and in a sense I am, but nowhere near as harsh as I first let on. What I merely mean is that, the anime took a morsel of the story and
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made a full course meal out of it. The morsel being the only sweet part of the series.
The anime consists of parts of this light novel series; the first novel which is the core of the anime and six short stories that are taken from three different novels. That is a minuscule number compared to the total number of content
(nine novels so far). So what was left behind, well, to put it simply, the main character in my opinion. Yes, I know you are confused as to what I mean but
give me time to elaborate. The main character of a story is the main focus of said story, which one would assume would be Haruhi Suzumiya, but as I read through the various musings of Kyon (the narrator) the story seemed to switch its concern. Haruhi seemed to be missing during most of the scenes and when she did show up it was just Kyon berating her character.
So who filled the void of the missing main character, well none other than the most uninteresting character of the series. The parody of an otaku's true love, Mikuru Asahina. Yes, the constant praise of her beauty and the angst that it created for Kyon filled page after page in this novel series. Every now and then Yuki Nagato and Itsuki Koizumi show up and make stories interesting but not nearly enough to save some of the stories.
And therein lies the missing two points that would of belonged to the score. Asahina, who I hate so well, has the stage and she comes through with constant idiocy, which is great for those who are into that sort of thing. But, I just do not find her entertaining, especially when it is written, at least fan service keeps me attentive. While Yuki is practically a demi-god (though she seemed to be the Deus Ex Machina in most of the stories) and Kozumi has an intriguingly mysterious aura and agency backing him, the author chooses a ditsy time traveler and her older self to focus on. I shouldn't even have to mention the fact that the character the title comes from doesn't even seem to be mentioned in many parts of the stories.
I wanted to love this series, I truly did. That is why it pains me to write of it so. It still holds the unique charm of the anime and when the great characters are included, it shines. But, I found myself wanting to skip over entire chapters (which as an avid reader is against my nature) that were just boring me with repetition. It was filled with great initial concepts, that just fell hard by the time the conclusion was revealed.
It isn't a bad read. The writing is not complex but it is solid and there are many humorous jokes. Kyon maintains his sarcastic charm and all the other characters maintain the reason why we love this franchise in the first place. But, I just could not get into it. It seems as though the author wanted to scrap all of his good ideas and keep the story as simple as he could mid way through each story. I guess Mikuru fans would be pleased with this work, but for all the others I leave you with this one question, WHERE IS HARUHI?
Reviewer’s Rating: 8
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