~*Death Note: How to Make "Smart" Characters*~
The dynamic of Death Note is simple:
-Protagonist (whichever one you thought it was in this show) comes up with a plan A.
-Antagonist (whichever one you thought it was) has already anticipated plan A and has come up with plan B in order to thwart plan B.
-Protagonist, as it turns out, has anticipated this anticipation, and so has devised plan C to counter plan B.
-Antagonist, as it turns out, has anticipated this anticipation, and so has devised plan D to counter plan C
-Protagonist, as it turns out, has anticipated this anticipation, and so has devised plan E to counter plan
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Mar 29, 2015 Not Recommended
In this review I will defend the claim that "Ano Hi Mita Hana no Namae wo Bokutachi wa Mada Shiranai" is an absolutely terrible show. It is well known that this show get's a lot of positive attention. At the time of this write-up, it is currently ranked 42nd on the site overall (or, if the site had good programmers, 39th since Gintama 2015, Unlimited Bladeworks season 2, and One Punch Man are above it and have not even aired any episodes), with a weighted score of 8.70. It is often discussed in forums as being a tear jerker. Indeed, there
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were points where I simply couldn't stop the tears of laughter from flowing down my face. This is a spoiler-filled review.
Ano Hana begins with a boy (Jinta) hanging around a house. There is an immature, white-haired girl pestering him. It turns out that she is the ghost of a girl who died in an accident ten years ago. Her name is Menma, and she has come back to earth to fulfill her wish, just as soon as they find out what it was that she was wishing for. His father's non-reaction to Menma's antics, and a visit from Jinta's friend (Naruko Anjou) suggests that only he can see her, but that she can physically affect things. In other words, the only element of her non-corporeality is that she is invisible and cannot project her voice. She is in no other way a non-corporeal entity, and is LITERALLY just a normal human, except not visible to anybody but Jinta. She can pick things up, and she can eat things, and when she jumps on Naruko her weight is felt. Menma is portrayed as a very sweet, wonderful little girl. Ignoring nitpicky aspects about how annoying she is, let us examine the larger picture. She is haunting a childhood friend until he spends copious amounts of energy fulfilling her unknown wish. To me, this negates any "cuteness" she may possess and makes her a menacing turd. The above was merely a subjective issue I had with the show. Now, let's get to the biggest objective issue that I have already alluded to earlier: the fact that Jinta can prove his assertions to everybody, literally, by handing Menma any object whatsoever and pointing out the levitating object. In fact, you could show that it's Menma, and not some other supernatural entity, by draping anything over her body that would reveal the shape of her body. You could even splatter her with mud or paint and you could basically be able to see her just walking around. This is a huge issue because he doesn't do this for the vast majority of the show, and the vast majority of the melodrama can be traced to this plot point. The plot point starts off as a background thing that could more or less be rationalized away in the first few episodes. Perhaps she cannot do physical things unless Jinta is around, but that's not true because of the scene where she jumps on Naruko and her weight is felt. Perhaps she is limited in some other way. Maybe the things that she touches and cooks are also only visible to Jinta. As the show transitions into it's middle section, these rationalizations become more and more difficult to contrive. It would be one thing if this didn't affect the character interaction very much, but nearly every tension and grievance can be traced back to the fact that Jinta cannot muster up the 2nd grade level brainpower required to prove Menma's existence. The entire time, I was assuming there was some technicality, but situation after situation confirmed that Menma can just move stuff around at will, as she demonstrates by opening a door (and everybody in the room noticing), knocking stuff off of tables, other people feeling her weight when she jumps on them, and her moving a light and then everybody remarking how the wind couldn't have possibly done it. There is even a sequence where Menma tries to communicate with people and is actually able to place phone calls (but her voice messages aren't there since only Jinta can hear her voice). Meanwhile, the old friend group has a long stick up their collective asses about whether Jinta is just outright lying, and large amounts of time are devoted to melodrama derived from this. There are several times where Menma is in the room with Jinta, reminiscing with somebody else about the wish situation. Hey... hey idiot... just hand her a thing... hand her literally anything... hey... you can remove all doubt by picking up those chopsticks over there, and then saying "hold this"... you can immediately resolve half of the plot... right now. At this point, you're still holding out hope that the show will ignore it and you have to come up with your own rationalization for it, or that the show will explicate some as yet hidden concrete reason as to why Jinta cannot provide evidence for his claims. Nope. The worst possible thing happens: he finally has her just hold objects to prove his claim. In episode 9. They even try to rationalize it away by using a character to conjecture that Jinta wanted Menma to himself. Then what was the point of his endless pleading for the group to just believe him in the prior episodes? Essentially, the resolution of this simple plot hole takes six of the eleven episodes. I say six because it is not a central plot point in the first two episodes, whereupon it then becomes important, and then isn't resolved until the 9th episode of the show. Let's get to the second worst aspect of the show: the characters. We have already shown that Jinta and Menma are terrible characters. We also know that the average IQ of the entire friend group hovers around 40 by dint of their inability to devise any experiments demonstrating the existence of a ghost that can be seen and interacted with by one person and can move physical bodies like a normal person. Moving away from the plot hole (which by itself ruins the entire show) the dynamic between the characters in the group (which is called the 'Super Peace Busters' or SPB) is as follows: two of the males are in love with Menma (Jinta and Matsuyuki), one (Hisakawa) is just a chill dude and the only one to suggest that Menma could just hold something, and the two remaining girls are left wondering why two males are still in love with a girl who died when they where about 5 years old. However, this doesn't stop them from wanting to date them. A prominent theme in the show is the guilt that all of them feel about the circumstances of their group the day that Menma died. Jinta is a broken human because he defensively argued against accusations of a crush and called Menma ugly, just like every 5 year old on the planet. Matsuyuki is still intensely in love with Menma. In fact, he keeps a broom with a white wig in his closet and frequently takes it out to sniff it; and then runs out in the woods in a cross-dressing cosplay of Menma for multiple consecutive nights. The last two sentences were not a hyperbole or a joke. Hisakawa is the best character, the only one who suggests any way of proving Menma is there prior to episode 9, and the only one whose past (actually seeing Menma get carried down the river and drowned) actually warrants the amount of sadness he exhibits (and he is still less sad than the other group members by orders of magnitude). Anjou has a crush on Jinta, and Tsurumi has a crush on the cross-dressing creep. The plot hole and terrible characters make the melodrama hard to care about, and it's poorly executed anyways. The show doesn't actually show you anything sad. Instead, it has characters cry so that they can beat you over the head with a metaphorical hammer that says "ITS SAD, WE SWEAR! CRY RIGHT NOW!". You can feel the writers using the crying characters because you don't actually feel sad: you have to be told that something is sad. Nearly every scene in the entire show is melodramatic, which means that the characters only speak in lines that are emotional jabs at one another. At virtually no point do we see more than one consecutive minute of logical, level-headed discussion. Nearly every scene of the last three episodes is insufferably overdramatic, and by the end of the series everybody is bawling all the time and screaming out their feelings. This is my first ever review. Why did I decide to write this review? I chose to write this review for one main reason: it is the most divergent my opinion has ever been from general consensus about the quality of a show. I am in no way the type of person who diverges on opinion for the sake of divergence. In my opinion, if a show is in the top 100 on MAL, it is probably a very enjoyable show. I also believe that shows with higher ratings are generally better than shows with lower ratings. Popular anime is probably popular because it has good elements in it. I was genuinely shocked at the appalling quality of this anime and cannot possibly see why everybody would think that it's even watchable, let alone near perfect or perfect. The only saving grace was the better than average animation, which prevented it from being a 1.
Reviewer’s Rating: 2
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