Is it possible to fall in love with a show from the first minutes? Yes, if that's a show by Ikuni!
What can I say, this episode was just sublime, and has everything I enjoy in Ikuhara's work - weird symbolism that actually makes sense when you yhink about it, societal messages, incredible transformation sequences and just a general feeling of watching a work of a crazy genius. Glad I came in knowning the basics of kappa and otter folklore so I could at least make sense of shirikodama extraction.
Some complementary reading about the production:
https://blog.sakugabooru.com/2019/04/12/sarazanmai-production-notes-01/
Puns:
https://www.japanesewithanime.com/2019/05/sarazanmai.html
IRL locations in Asakusa:
http://e-asakusa.jp/en/information/4196
My personal notes:
- The silhouettes for background characters resemble those of Penguindrum. However, while in Penguindrum they all looked alike (which made sense given the theme of the show), here the silhouettes are strictly divided into men and women...with their hairstyles resembling those of old feudal Japan. Is this implying the traditionalist, patriarchical society our main characters exist in? Is it connected to the apparent homosexuality being explored in the show? Even if it is, Japanese society has always been more tolerant about this, so I'm not sure what to make of that observation.
- Kappas and Otters briefly appeared in Penguindrum (Ringo's parents arguing), and a kappa-styled item can be seen in a certain episode of Utena about Saionji
- All three main characters in their Kappa form have different patterns on their backs
- Very possible connection of ア to Lacann's objet petit a (unattainable object of desire), apart from many other things like the first letter in "Asakusa" and so on. This makes even more sense when you think how Keppi transferred Enta into the ""Desire Field" by slapping a アsymbol on his face. The other side of the symbol is an otter and it's somehow linked to the cops, as well as the kappa zombies. This whole desire thing also seems to be connected to Lacan's concept of three orders. The main kappas even transform into something resembling the three circles used to represent this concept. There's also something very similar to this circle at the very end of the tranfering sequence, right after we see the Kappa Zambie die (it says "no beginning, no end, no connections"). There're also these circles inside the police station during the post-credit "judgement" sequence (I got Yuri Kuma Arashi vibes from that, and one of the cops is voiced by a person who voiced a certain character from Yuri Kuma Arashi). They're performing "desire extraction" in a surreal sequence, something not entirely unfamiliar to Ikuhara fans. Desire or love? That's the dichotomy (again, remember Yuri Kuma Arashi). Moreover, notice how the ア side represents the human world, while the "otter" side represents the world of Desire. When the sides are flipped - the "world" changes. The human world has ア slapped all over the place, and the world of Desire has otters. Slapping this sign on Enta's face transferred him from the world of humans to the world of Desire.
- Asakusa show is probably going to be the Greek chorus of Sarazanmai.
- Enta's sister looks like Lulu from Yuri Kuma Arashi. Their house has a tanuki statue in the garden, which is straight in-your-face during one shot. Is it important? Tanuki has a huge role in Japanese folklore, and is known for shapeshifting (just like the otter).
- Each main kappa seems to be associated with a particular color and environment. Kazuki (red, water), Enta (orange, forest), Tooi (blue, skies). Kappas' (and the whole show's, it seems) signature poses are gorgeous btw.
- Shirikodama transfering via WiFi, oh yes.
- All those totally-not-amazon boxes probably have something to say about consumerism or something in that vein.
Also I must note that Keppi is INCREDIBLE. His voice, looks and design are just superb. I laugh every time he gets triggered at being called a frog haha. The short diorama sequence was also awesome, as well as the OP, ED, and, well, the entire episode - excellent and enjoyable direction.
I've spent disproportinately more time on analyzing the episode and reading various things about it than actually watching it, and it's great. That's part of the Ikuhara experience, and it's a pleasure to do that again with every of his shows.
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