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coi rodo .ui .i mi'e mudri .i ta'o cuxna zo mudri mu'i tu'a lo fatci cmene be mi

ni'o filselga'e fa lo du'u mi lojbo .i ji'a mi nelci lo cmaci je lo samske je lo nu sampla .i zo'o fadni lojbo .i mi ca tadni lo samske soi lo balcu'e cu co'e

ni'o mi ta'e mencti lo za'e kinrxanime co'a lo datru be fi li ji'i xa bei li renopaci .i nelci lo kinrxanime be lo kamjikca ja lo se tolmocpla ja lo zdile prenu be'o je zo'e poi ctuca fo lo nu pensi ja jinvi kei ke'a

No translation for you! Points if you can guess the language.

Oh, and I made a user script for changing the date format on here.

Durarara!! philosophy:
Durarara!! and Identity
Youth Culture, Fandom and Social Participation in Durarara!!

2015-02-24: Just rebalanced my ratings. They look so harsh now!

## A note about characters
My opinions of characters are based mostly on their contribution to the story and justifiability of their actions from their own perspective. I do not try to evaluate characters according to my own morals, nor do I imagine how I would get on with them in real life. This explains my love of Orihara Izaya: he drives pretty much the whole story, and is so in touch with himself that he's clearly acting in the way he wants to. It also means that I rarely find a character annoying.

There are a few possible exceptions. My hatred of Tomoko from WataMote comes about because she acts in a way which clearly isn't going to bring her happiness, despite believing that it will. Generally, if a character is that terrible at achieving happiness (also described as “being really stupid”), I'll find it difficult to bare. I also tend to support any character established as a hero (and the reverse for a clear villain), but I put this down to interpretation of the story, rather than judgement of the characters. If the author intended the audience to support a given side, it's likely that supporting that side will give the best experience. However, this doesn't necessarily mean that the villain is a bad character, though often the author gives the villain insufficient development, making them a bad character. I respect Narita Ryougo for not doing this. And yeah, porn is all about imagining how one would get on with the characters in real life, so I make an exception there. Justifying their actions helps, though.