Welcome, to anyone stumbling across my profile!
I started getting myself into anime at the age of 6 and have almost been nonstop ever since, with my first (not named Pokemon, Naruto, or Dragon Ball) being surprisingly Code Geass. I've been grinding to watching way more anime as I tend to be very curious about the comparisons, discussions, and reviews revolving around each anime. I also elected to read a lot more manga, light novels, and visual novels for the same reasons. You might realize that I'm very harsh with my opinions as I tend to act really critical but don't assume that I'm a blatant hater as I enjoy any type of medium. It's just that there are a lot of stinkers to me that compare and contrast ones I like or admire. Biased, I know, but that's what it is. Also, I'm welcome to any type of discussion! Just please, make it civil.
歳の時にアニメにハマり始め、それ以来ほとんどノンストップでアニメを見ている。各アニメにまつわる比較、議論、レビューにとても興味を持つ傾向があるため、より多くのアニメを見るようになった。また、同じ理由で、漫画、ライトノベル、ビジュアルノベルも読むようになった。私は批判的な言動が多いので、自分の意見に厳しいと思われるかもしれませんが、どんなメディアも楽しんでいるので、あからさまな嫌われ者だとは思わないでください。ただ、私にとっては、好きな作品や賞賛する作品と比較して、胡散臭い作品が多いだけなのだ。偏っているのは分かっているが、それが現実だ。また、どんなタイプの議論でも歓迎するよ!ただ、礼儀正しくお願いします。
“Just for now, just for now, stacking excuses on excuses, ugly fruit that's ashamed to live after surviving. You've lost your hope in the distance of the stars. Thou shalt not die. From the 99th Class, Nana Daiba. If it is fate that you must ripen and fall, then now, I'll offer you a beautiful end.”
– Nana Daiba
『"今だけ"、"今だけ"、言い訳に言い訳を重ねて、生き延びてから生きることを恥じる醜い果実。星々の彼方に希望を失ったのか。汝、死ぬな。99期生、台場奈々より。汝が熟して堕ちるのが運命ならば、今、美しい最期を与えよう。』
- 台場奈々
My favorite video games!
1. Sekiro: Shadow's Die Twice / セキロ:シャドウは二度死ぬ
2. Bloodborne / ブラッドボーン
3. Epic Battle Fantasy series / エピック・バトル・ファンタジー・シリーズ
4. Team Fortress 2 / チームフォートレス2
5. Hollow Knight / ホロウ・ナイト
6. Dark Souls 3 / ダークソウル3
7. Terraria / テラリア
8. Plants vs Zombies / プランツvsゾンビ
9. Plants vs Zombies: Garden Warfare 2 / プランツvsゾンビ ガーデンウォーフェア2
|
All Comments (19) Comments
P.S: Did you remove your MAL notes about it? It might be just me but I couldn't see them haha, and I don't really know how to use anilist.
P.S. 2.0 I am more active on discord so I sent you a friend request if you don't mind
I do have to agree with you here though, that although I think SAO has a more unnecessarily convluted plot than Solo leveling (I zoned out with all the explanations of the mechanics of the different game worlds, which I thought were unnecessarily long, bar maybe Alicization which had a somewhat interesting concept for its world), it at least attempts to establish character relationships in a meaningful way. Sure, Kirito has a harem when Jin Woo does not, but it doesn't change the fact that Kirito's relationship with them feel mostly geninue, albeit rather cliche and poorly explored. Meanwhile, Jin Woo's relationships seem to be only concerned about his side, and how the other party feels about him and his actions is basically a mystery. I would not call the series intentionally terrible at writing, but that it sacrifices everything, and it really means EVERYTHING, to forward its linear plot.
If there's a series that just screws everything up by simply starting, it would be this one. This is a generic power-scaling anime with no personality stored. While I wouldn't say that's too terrible of a problem, what makes it so much worse, however, is how it's not even aware of its surroundings. Not even entertainment value is present there. There are asspulls that are so obvious and spread everywhere that it's almost unwatchable, especially when the protagonist becomes god with next to no effort. Again, just how the hell does a story with relatively basic ideas mess everything up at the very beginning?
始まるだけですべてを台無しにするシリーズがあるとすれば、それはこの作品だろう。これは個性が蓄積されていない一般的なパワースケーリングアニメだ。それはあまりひどい問題とは言えないが、しかし、それ以上にひどいのは、周囲を意識していないことだ。そこにはエンターテインメント性すら存在しない。特に、主人公がほとんど何の努力もせずに神になってしまうのは、ほとんど見るに堪えない。繰り返すが、比較的基本的なアイデアの物語が、どうして冒頭ですべてを台無しにしてしまうのか?
Another huge problem is that the other characters are cardboard, with the "evil" hunters' motivation no more than personal gain.
There was some attempt at intrigue with the hunters' association and perhaps the power structure within it, but the series just gleans over it entirely.
So far, I've found it quite cozy and certainly very interesting for a few episodes.
The soundtrack is really good too, makes really good use of it to build an ominious, melancholic, relaxing atmosphere.
In the 8 episodes I have watched so far, my favourite is episode 6 (the one about the girl who is worshipped as a god as she grows old every night and becomes young when she wakes up.)
It provides quite a balanced perspective of living life one day at the time (I cringe at the infinite time before me) and living life day by day.
I've been seriously eyeing Mushishi for a while, as I found that I really enjoyed adventure/ fantasy episodic series such as Frieren, Kino's journey etc. Is Mushishi anything similar? People always talk about how the atmosphere it builds is excellent, which makes me think I would like the show
I think the reason Kino's journey is so good is that it perfects the episodic "formula", every world is interesting and nuanced in its own right. As you said, the show also excels in its main character, Kino, as Kino view each world not with disdain and anger, no matter how evil they might be, but with a contemplative gaze. I think the show does not want to explicitly use Kino's judgement of whether a world is good or evil to preach to the viewer, but leaves each world up to the viewer's own interpretation. Often, Kino is the one asking questions, and we are the one answering.
I really enjoyed episode 3 (The land of prophecies) when the city of sadness and the city of prophecies had literally the same book, but interpreteted it in different ways. Despite reading the same book, the people, their language and actions are so starkly different. Intepretation is a powerful thing.
My absolute favourite episode is still episode 9 (the land of books). The world created is so mysterious and surreal, as the "author" (or was it writer, i dont remember mb), describes it as contained within a book. Each character(s) have a role, the "normal" people who read the uncensored books, the rebels who indulge themselves in the censored books, the critics who indulge themselves in rating the books, and the author himself (ironically) indulging himself in "writing" the world. It's like a story within a story, like Kino stepped into a storybook, with each character(s) trying to escape the world/book, but ironically becoming bound to their roles within the book.
This is my own interpretation of the ending of this episode, but the man Kino saw on the way to the town, the man who escaped the town who gave Kino a book, is the true "creator" or "author" of the land of books, as only he has pulled himself out of the fantasy of books. "It's dangerous to be sucked into fantasy, traveller."
P.S. Just out of curiousity, is TheScarletCutter your alt account? I randomly came across it and it looks really similar to yours, in terms of formatting and anime taste.
It also because apparent and annoying the lengths the mangaka takes to prevent any sort of substantial romantic progression, which is half of what a romance anime/ manga is