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Ah, congratulations on successfully orbiting the sun for yet another year. It's truly remarkable how time has allowed you to accumulate more experiences, though one might hope for a bit more personal growth to accompany the aging process. Nevertheless, in the grand scheme of things, I suppose it's commendable that you've managed to mark another lap around our star. Happy birthday, I suppose.

Makes sense. Glad you're enjoying it.

One must, with due regard for their cognitive capabilities, contemplate the cessation of their literary perusal of "Vanitas no Karte," a manga of notable intellectual depth and intricate narrative complexity, penned by Jun Mochizuki. It has come to my discerning attention that the labyrinthine intricacies of its storyline, the multilayered character dynamics, and the profound explorations of morality, identity, and the human condition that permeate this work may potentially exceed the cognitive grasp of individuals whose intellectual faculties may not be optimally attuned to fully fathom the philosophical undercurrents that underpin its storytelling.

In light of the intellectual demands imposed by this particular literary oeuvre, it may be a judicious course of action to temporarily suspend one's literary voyage through the world of "Vanitas no Karte" until such a time when one's intellectual aptitude matures sufficiently to engage with the narrative's intricate tapestry and its profound thematic explorations with the depth and discernment it rightfully merits.

It might be judicious for one to contemplate momentarily discontinuing their perusal of "Higurashi," an intricately woven narrative tapestry penned by Ryukishi07, renowned for its cerebral and psychological complexities that demand a discerning intellectual prowess. One cannot help but observe that the labyrinthine twists and turns, as well as the philosophical depths embedded within "Higurashi," may potentially transcend the cognitive horizons of those whose intellectual faculties might not yet have attained the requisite maturation to fully unravel its enigmatic mysteries.

Given the intricate web of conspiracies, character intricacies, and temporal intricacies inherent to "Higurashi," one may indeed find themselves somewhat confounded in the face of its narrative intricacies, should their intellectual capacities not align optimally with the intricate demands of the storyline. Therefore, it might be an opportune moment to consider temporarily suspending one's engagement with "Higurashi," allowing for a period of intellectual growth and introspective enhancement that would, in turn, render the subsequent engagement with this cerebral opus a more fulfilling and edifying experience.

I would strongly encourage you to consider momentarily discontinuing your engagement with the literary opus known as "Nana," a work of considerable complexity and profundity authored by Ai Yazawa. It has come to my discerning attention that the intricate interplay of thematic elements, nuanced character development, and the multifaceted narrative structure within "Nana" might potentially pose a cognitive challenge for individuals whose intellectual proclivities and discernment of subtleties may not be optimally attuned to fully grasp the intricacies embedded within its narrative tapestry. Given the notably elevated cognitive demands this particular literary oeuvre places upon its readers, it could be judicious to contemplate temporarily suspending your literary exploration of "Nana" until such time as your intellectual acumen aligns more harmoniously with the artistic and narrative intricacies it so masterfully encapsulates.

It is with a certain sense of erudite lamentation that I would dare to suggest a diversion of your attention from the literary offering known as "Usogui." While I hold no pretensions to casting aspersions upon your intellectual faculties, it does appear that the narrative intricacies and cerebral contours of said material might, at times, require a degree of cognitive acumen that transcends the ordinary realm of engagement. Hence, should you perhaps find yourself encountering certain challenges in fully grasping the narrative tapestry interwoven within "Usogui," a brief hiatus from its perusal could conceivably provide a moment of respite, permitting an opportunity for one's intellectual faculties to gather their metaphoric breath, as it were.

u dont answer a question with a question mr. vijet san, well u answered it indirectly anyways

and if u think we do go ahead and find out! dattebayo

are u slow?

I saw you dropped Legend of the Galactic Heroes by the way, have you tried reading the novels? I'm about halfway finished and it's really good. Also, I see you've read Fata Morgana and gave the first two doors 5/10s, what causes the series to become so much better after the first two doors? I've only read door one and I was going at like double speed since visual novels are just too slow for me to handle, I've had door two on hold for a few months now. Everyone I know who has finished it has rated it among their favorite series of all time, I assume it's worth the time investment? I also saw you gave Shoujo Shuumatsu Ryokou a 4 and said it was boring. Did you have any particular complaints about the writing, characters, etc or do you just think it's not your type of series? And finally, I see you've read Utsuro no Hako to Zero no Maria, and gave it an 8. I've only read the first volume, and I thought it was decent but nothing I wanted to devote a lot of time to, especially after seeing people say that volume 1 is the best one besides the last one. Do you think it gets much better after the first volume?

It's from the most recent arc 4 manga chapter.

What does this have to do with anything? You picked a page that you found pretty and that proves that the manga can't be mediocre from an artistic standpoint? I can do that with literally every manga out there.

"You're insane for calling Renji Miyajima a mediocre artist"


The medium we're talking about is manga, not wallpaper. What you're doing is the manga equivalent of someone pausing during an animation sequence, taking a screenshot, and then using that screenshot to prove that the animation is bad. It doesn't work that way. The artistic value of a manga is not determined by the sparkly wallpaper pages.

All the doors are amazing. But I think that door 2 is very underrated. It is the door that really drew me into the story. It is also the door that utilizes being a VN the most.

Imagine liking Fata Morgana. Only idiots like Fata Morgana. Couldn’t be me.

thanks for accepting !!:)

Nice to meet you!!

Ah, makes sense ^^

It's more so the entire show rather than just the Final, but I feel like putting the tag on the final was the better option. The story of the show starts when Shinpachi meets Gin at the end of episode 1 and it ends with them recounting what happened to Tama at the end and I think that's such a great way to wrap up the story and it's basically one of my favorite conclusions ever, everything comes full circle and that's just the cherry on top ^^