Chapter Thoughts
This closing arc was beautiful. A hard cut to a flashback, starting with the family together once more. Bantering and having fun. Only to proceed into a sorrowful reminder of how much they cared for one another. The panic and sadness in Mista's eyes as he begged for information from the stand user was so freaking tragic with the knowledge that Buccelati's now gone. Mista jumped to, what should have been his death, without hesitation to save his boy. But he couldn't divert fate this time, and cutting back to reality, trying to wake him up, that was well done. It forced us to contextualize those we lost and what that means going forward.
The juxtaposition of comedy was excellently done as always. To contrast what they lost with the new bond between Mista and Trish who would obviously grow closer after borrowing each other's bodies was utterly sweet and hilarious. The moment which made me burst out in laughter however was upon seeing a miniature ghost Polnareff speaking to Giorno while half inside of the tortoise. There were so many heavy emotions at play, yet in the seriousness of the moment, the absurdity of the situation Polnareff has gotten himself into shined brightly.
I think there is something interesting to say about the cold cutaway to Godfather Giorno, rather than sitting on the realization that Buccelati was really gone. I also love that Mista continues to be the right hand man to Godfather Giorno. So cool, with a Polnareff to hang out with too. Mista ended up being my favorite character and giving him the spotlight at the very end was always going to be a plus for me.
Overall Thoughts
My favorite aspect of Vento Aureo could be described as it's identity or tone. That of bloody, bleak, and desperate moral grayness. No matter which party you look at, Buccelati's group, the Hitman squad, or even Diavolo himself, everyone is depicted struggling and fighting to the bitter end for what they believe in. And I mean bitter end, we had some of the bloodiest battles we've ever seen. The Hitman squad mirrored the Buccelati team and served as two groups with a shared love of their brothers, fighting for the same cause with different methods. Diavolo was struggling in nearly every scene we saw of him, he crawled in the dirt and ate a frog to survive. Not to forget, his disgust over Cioccolata, the grateful and suicidal Pericolo, or his practical method of doing things giving room for nuance. Through this conflict, no one was perfect, Giorno was an anti hero who would assassinate Diavolo's men in cold blood just as Diavolo would his.
Nothing encapsulates this identity better than the deaths. The assassinations like Polpo's "suicide" as he was trying to eat a banana, Melone being struck by a Gold Experience snake. But best of all, that of the main cast. Abbacchio and Narancia dying in the blink of an eye without even realizing they were in danger. And not for some meaningful reason, but rather the cold and mechanical decision to take out a stand which could serve as a threat. This is a gang war, the violence should feel uncaring and brutal like mob hits, and it does! Death is commonplace, for the heroes and the villains. Illuminating the fact by uncharacteristically killing off nearly every antagonist the gang crossed. All people who we could root for in some sense with a few exceptions.
The desperate bloodbath full of parties acting on their own motivations and resolve, even the smaller ones like Green Day and Oasis wanting to defeat the boss, or Clash and Talking Head sacrificing and fighting for one another, was strong. I have many smaller issues I have pointed out in the past which stopped me from being fully absorbed by the story, nor did many individual aspects jump out at me in a meaningful way, but Vento Aureo is greater than the sum of its parts and for a uniquely stylish Jojo part, I couldn't complain! |